The Witch's Boy

“In a story of an unexpected hero, a thief’s daughter, and some very tricky magic, Barnhill weaves a powerful narrative . . . Barnhill elegantly joins the story’s diverse threads in a complex tale whose poignancy never turns sentimental.”

“Careful, confident Aine; whose skills, both domestic and wild, make her a formidable ally (and excellent heroine), is a studied contrast to the weaker, shy Ned. The boy’s growing confidence and ability to wield and protect his mother’s magic adds elements of a classic origin-quest tale to a story that’s already brimming with a well-drawn, colorful supporting cast, a strong sense of place, and an enchanted forest with a personality to rival some of the best depictions of magical woods.”

“Barnhill skillfully interweaves the stories of Ned, Áine, Sister Witch and the stones, along with an intriguing group of secondary characters. The third-person narration switches perspective smoothly, and it’s all related in a precise, flowing prose that easily places readers into the fantastic setting and catches them up in the story. The classic fantasy elements are all there, richly reimagined, with a vivid setting, a page-turning adventure of a plot, and compelling, timeless themes.”

“Warring nations, mysterious stone figures, and the running thread that magic is alive and dangerous all add to the gripping core narrative of two children who find wells of strength and ingenuity from being pushed out of their comfort zones. The setting is exceptional: lush descriptions are flawlessly integrated, conveying a deep understanding of the natural world and the people, flawed and complex, who populate it . . . Offer this to Gaiman and Wynne-Jones fans, and to realistic fiction buffs who are open to brilliant coming-of-age stories sharing space with touches of magic.”

“Barnhill . . . is an eloquent writer who spins beautiful lines . . . This spellbinding fantasy begs for a cozy chair, a stash of Halloween candy and several hours of uninterrupted reading time.”

“A story with many alluring elements . . . Barnhill creates an absorbing world of kingdoms and prophecies in which transformation comes through language, and through courage and self-awareness as well . . . [The Witch’s Boy] should open young readers’ eyes to something that is all around them in the very world we live in: the magic of words.”