3 pages from inside this book
The Skull: A Tyrolean Folktale
- Subject
- Fairy Tales & Folklore - Country & Cultural
- Age
- 6-8 years
- Format
- Hardcover
- Pages
- 112
- Publisher
- Candlewick
- Size
- 15.8 cm × 20.6 cm
- ISBN
- 9781536223361
A #1 New York Times bestseller!
A Kirkus Book Prize Finalist!
A New York Times Best Children’s Chapter Book the Year
A Wall Street Journal Best Children's Book of the Year
Caldecott Medalist and New York Times best-selling author-illustrator Jon Klassen delivers a deliciously macabre treat for folktale fans.
Jon Klassen's signature wry humor takes a turn for the ghostly in this thrilling retelling of a traditional Tyrolean folktale. In a big abandoned house, on a barren hill, lives a skull. A brave girl named Otilla has escaped from terrible danger and run away, and when she finds herself lost in the dark forest, the lonely house beckons. Her host, the skull, is afraid of something too, something that comes every night. Can brave Otilla save them both? Steeped in shadows and threaded with subtle wit—with rich, monochromatic artwork and an illuminating author’s note—The Skull is as empowering as it is mysterious and foreboding.
A Kirkus Book Prize Finalist!
A New York Times Best Children’s Chapter Book the Year
A Wall Street Journal Best Children's Book of the Year
Caldecott Medalist and New York Times best-selling author-illustrator Jon Klassen delivers a deliciously macabre treat for folktale fans.
Jon Klassen's signature wry humor takes a turn for the ghostly in this thrilling retelling of a traditional Tyrolean folktale. In a big abandoned house, on a barren hill, lives a skull. A brave girl named Otilla has escaped from terrible danger and run away, and when she finds herself lost in the dark forest, the lonely house beckons. Her host, the skull, is afraid of something too, something that comes every night. Can brave Otilla save them both? Steeped in shadows and threaded with subtle wit—with rich, monochromatic artwork and an illuminating author’s note—The Skull is as empowering as it is mysterious and foreboding.
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What reviewers said
Folk tales are meant to be flexible things, open-source stories infinitely moldable to the needs of teller and era. That’s the wonder of them — and of “The Skull,” an old Tyrolean yarn distilled to its droll essentials and marvelously reimagined by the Caldecott medalist (and national treasure) Jon Klassen. . . The pared-back, ocher-tinted illustrations are well suited to the folk-tale form, and pair perfectly with Klassen’s deceptively simple storytelling.
Caldecott medalist Klassen’s signature style is brought to bear on a Tyrolean tale imbued with equal parts comfort and creepiness. . . . One can only hope that children will tell and retell this reinterpretation many times to themselves throughout the years. Employing his customary pitch-perfect tonal gymnastics, only Klassen could inspire readers to want craniums as pals.
Echoes of other forbidding fairy tales pervade this high-stakes telling, in which Otilla’s primal bravery and sly wit result in an arc from flight to mutual reliance.
Klassen’s recognizable graphite-and-ink illustrations capture the haunting—yet somehow charming—atmosphere of the stark Austrian setting, where shadows loom, bones come to life, and apricot sunshine cuts through the gloom. . . . Is the story creepy? You bet, but it’s also weirdly sweet and characterized by agency, kindness, and choice. . . . Klassen's newest offering will be highly coveted.
Klassen has proved especially good at introducing new, often solo, young readers to the unsettling but intriguing place where fear becomes an essential narrative element, offering enough humor and absurdity to provide comfort on the journey. Such is the case with The Skull, a reimagining of a Tyrolean folktale that shows a young girl’s resolve against unnamed, unexplained threats. . . . the book offers a lesson on the usefulness of fear and likely a reminder of what kids already suspect: the world can be awful and scary, but empathy and friendship can arise from its darkest places.
Unflappable Otilla and the unfailingly polite skull make for odd but exemplary companions in this well-paced tale. . . . illustrated in classic, deadpan Klassen style with speckled art that’s both mesmerizing and dryly hilarious. The dark tones of the art are warmed by slants of peach-hued winter sunlight; like the scary-funny story, darkness and light work in tandem surprisingly well.
