The Great Big One
- Subject
- Family - Siblings
- Age
- Teen
- Format
- Hardcover
- Pages
- 384
- Publisher
- Little, Brown Books for Young Readers
- Size
- 14.7 cm × 21.3 cm
- ISBN
- 9780759555396
Everyone in Clade City knows their days are numbered. The Great Cascadia Earthquake will destroy their hometown and reshape the entire West Coast—if they survive long enough to see it. Nuclear war is increasingly likely. Wildfires. Or another pandemic. To Griff, the daily forecast feels partly cloudy with a chance of apocalyptic horsemen.
Griff’s brother, Leo, and the Lost Coast Preppers claim to be ready. They’ve got a radio station. Luminous underwater monitors. A sweet bunker, and an unsettling plan for “disaster-ready rodents.” But Griff’s more concerned about what he can do before the end times. He’d like to play in a band, for one. Hopefully with Charity Simms. Her singing could make the whole world stop.
When Griff, Leo, and Charity stumble upon a mysterious late-night broadcast, one song changes everything. It’s the best band they’ve ever heard—on a radio signal even the Preppers can’t trace. They vow to find the music, but aren’t prepared for where their search will take them. Or for what they’ll risk, when survival means finding the one thing you cannot live without.
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What reviewers said
"With an ambitious plotline and nuanced characters, Geiger’s (Wildman) novel begins as a tense love triangle before veering into a . . . richly detailed mystery about the terrible catastrophes that even the most ardent prepper cannot anticipate."
"A thought-provoking, hilarious, eloquent story of a young man realizing that the world is much larger than the one set up for him."
"I LOVE THIS BOOK. It's hilarious, sad, and unputdownable."
"Geiger plays fast and loose with realism, sprinkling in a hint of magic, unlikely luck, and unreliable narration to blur the genres a bit between realistic fiction and fantasy."
"Compelling character development . . . will find an audience in teens with a sense of wanderlust and an itch for adventure."
"Geiger’s staccato, enigmatic sentence fragments are stylistically interesting and poetic... this sophomore novel is a moving, bittersweet examination of the search for a meaningful signal in the noise after a death."
